另类平台:蔡博丞《孤修寂炼》
2014年07月18日 14:47
来源:凤凰网文化
时间/日期Date/Time 2014.7.23(三/Wed)︱16:00 场馆Venue 繁星戏剧村Star Theatres 长度Duration 15分钟15 min 节目Programme 《
时间/日期Date/Time 2014.7.23(三/Wed)︱16:00
场馆Venue 繁星戏剧村Star Theatres
长度Duration 15分钟15 min
节目Programme 《孤修寂炼》Innermost
编舞Choreographer 蔡博丞(中国台湾)TSAI Po-cheng (TW, CN)
音乐Music 克罗诺斯四重奏团Kronos Ouartet
灯光Lighting 张廷仲ZHANG Ting-jhong
服装Costume 蔡博丞TSAI Po-cheng
舞者Dancers 蔡博丞、赖翃中TSAI Po-cheng, LAI Hung-chung
节目简介Programme Description
无有知者,无我我所,一切寂灭,究竟寂灭。因此不生亦不灭,不来亦不去,不增亦不减,不垢亦不净,不常亦不断;永远离两边,乃至无尽。人生有诸多痛苦,皆是由于自己过去、现在所造作的烦恼业因,因而招感苦果。若欲解脱人生的痛苦,则须寻找究竟安乐的处所为归宿;而此离开一切烦恼,达到寂灭安乐的境界。
Most of the pain in life is caused by worries of the past and present, and bitter fruits thus arise. If you want to relieve yourself from the suffering, you have to search for your inner harmony. But, do you really know what the real voice of your mind is?
编舞简介About the Choreographer
蔡博丞是来自台湾的独立编舞,于台北艺术大学毕业,2007年赴纽约百老汇舞蹈中心学习。其作品风格独特,诡谲多变,融合了剧场舞蹈和极限的肢体动作。2010年,他获选为国际青年编舞营的台湾代表之一。作品《浮花》获2013舞跃大地舞蹈创作比赛优胜奖,受邀在香港举行的《中国舞蹈向前看2014》中演出,并获第28届德国汉诺威国际编舞大赛之德国斯图加特高堤耶舞团制作奖及观众票选奖。蔡博丞被多家专业舞蹈团体邀请为客席编舞,如高雄城市芭蕾舞团、台北体育学院和高雄市立左营高中。
TSAI Po-cheng is an independent choreographer from Taiwan. After graduating from Taipei National University of the Arts, he furthered his study in Broadway Dance Center, New York in 2007. His works are unique and diverse, which combine dance theatre and physical technique naturally. He was selected as one of the Taiwanese Representatives in 2010 Asian Young Choreographer Project. His piece Floating Flower won the Choice Award in Taiwan's National Creative Dance Competition 2013, and was invited to China Dance Forward 2014 in Hong Kong and won both Audience Award and Stuttgart Dance Company Production Award in Hannover International Competition for Choreographers. TSAI Po-cheng was invited as guest choreographer for many professional dance companies, including Kaohsiung City Ballet, Taipei Physical Education College and Tsoying Senior High School.
媒体评论Press Review
蔡博丞,年轻、天赋异禀,用简单阐述复杂,少即是多。--《舞蹈评论》
“Tsai, still only in his mid-20s is clearly talented, but sometimes less is more.”
---Critical Dance Magazine
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